de Charlus received from these few white hairs at his crest only a further variegation added to those of his face. And yet, even beneath the layers of different expressions, paint and hypocrisy which formed such a bad “makeup,” his face continued to hide from almost everyone the secret that it seemed to me to be crying aloud. I was almost put to shame by his eyes in which I was afraid of his surprising me in the act of reading it, as from an open book, by his voice which seemed to me to be repeating it in every tone, with an untiring indecency. But secrets are well kept by such people, for everyone who comes in contact with them is deaf and blind. The people who learned the truth from someone else, from the Verdurins for instance, believed it, but only for so long as they had not met M. de Charlus. His face, so far from spreading, dissipated every scandalous rumour. For we form so extravagant an idea of certain characters that we would be incapable of identifying one of them with the familiar features of a person of our acquaintance. And we find it difficult to believe in such a person’s vices, just as we can never believe in the genius of a person with whom we went to the Opera last night.