No doubt the love which M. de Guermantes had had for each of them in succession would begin one day to make itself felt afresh; in the first place, this love in dying bequeathed them, like beautiful marbles⁠—marbles beautiful to the Duke, become thus in part an artist, because he had loved them and was sensitive now to lines which he would not have appreciated without love⁠—which brought into juxtaposition in the Duchess’s drawing-room their forms long inimical, devoured by jealousies and quarrels, and finally reconciled in the peace of friendship; besides, this friendship itself was an effect of the love which had made M. de Guermantes observe in those who were his mistresses virtues which exist in every human being but are perceptible only to the sensual eye, so much so that the ex-mistress, become “the best of comrades” who would do anything in the world for one, is as recognised a type as the doctor or father who is not a doctor or a father but a friend. But during a period of transition the woman whom M.