But at the same time, by a directly opposite process, the body of his work, known only to a few literary people at the period when Mme. Swann used to patronise their timid efforts to disseminate it, now grown in stature and strength before the eyes of all, had acquired an extraordinary power of expansion among the general public. The general rule is, no doubt, that only after his death does a writer become famous. But it was while he still lived, and during his slow progress towards a death that he had not yet reached that this writer was able to watch the progress of his works towards Renown. A dead writer can at least be illustrious without any strain on himself. The effulgence of his name is stopped short by the stone upon his grave. In the deafness of the eternal sleep he is not importuned by Glory. But for Bergotte the antithesis was still incomplete. He existed still sufficiently to suffer from the tumult. He was moving still, though with difficulty, while his books, bounding about him, like daughters whom one loves but whose impetuous youthfulness and noisy pleasures tire one, brought day after day, to his very bedside, a crowd of fresh admirers.