The fact remains that, in this drawing-room which he despised, this great nobleman (in whom his sense of superiority to the middle classes was no less essentially inherent than it had been in any of his ancestors who had stood in the dock before the Revolutionary Tribunal) could do nothing, in a paralysis of all his members, including his tongue, but cast in every direction glances of terror, outraged by the violence that had been done to him, no less suppliant than questioning. In a situation so cruelly unforeseen, this great talker could do no more than stammer: “What does it all mean, what has happened?” His question was not even heard. And the eternal pantomime of panic terror has so little altered, that this elderly gentleman, to whom a disagreeable incident had just occurred in a Parisian drawing-room, unconsciously repeated the various formal attitudes in which the Greek sculptors of the earliest times symbolised the terror of nymphs pursued by the Great Pan.