de Charlus. He, who played the disinterested artist for the Baron’s benefit (and might do so without risk, in view of the generosity of his protector), when he wished to have the evening to himself, in order to give a lesson, etc. , never failed to add to his excuse the following words, uttered with a smile of cupidity: ā€œBesides, there may be forty francs to be got out of it. That’s always something. You will let me go, for, don’t you see it’s all to my advantage. Damn it all, I haven’t got a regular income like you, I have my way to make in the world, it’s a chance of earning a little money.ā€ Morel, in professing his anxiety to give his lesson, was not altogether insincere. For one thing, it is false to say that money has no colour. A new way of earning them gives a fresh lustre to coins that are tarnished with use. Had he really gone out to give a lesson, it is probable that a couple of louis handed to him as he left the house by a girl pupil would have produced a different effect on him from a couple of louis coming from the hand of M.

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