I tried to pass a finger, or even a nail, between her elbow and her side⁠—but it was impossible. The obstacle was the same porcelain mass, such as is made at Auerbach’s, and of which sauce-boats are made. She was planned for external appearance only. I began to examine her chemise, it was all of one piece with the body, above and below. I looked more closely, and noticed that at the bottom a bit of the fold of her chemise was broken off and it showed brown. At the top of her head it showed white where the paint had come off a little. The paint had also come off a lip in one place, and a bit was chipped off one shoulder. But it was all so well made and so natural that it was still our same Sónya. And the chemise was one I knew, with lace, and there was a knot of black hair behind, but of porcelain, and the fine slender hands, and large eyes, and the lips⁠—all were the same, but of porcelain. And the dimple in her chin and the small bones in front of her shoulders, were there too, but of porcelain. I was in a terrible state and did not know what to say or do or think. She would have been glad to help me, but what could a porcelain creature do? The half-closed eyes, the eyelashes and eyebrows, were all like her living self when looked at from a distance. She did not look at me, but past me at her bed.