Pyotr Ivanovitch sighed still more deeply and despondently, and Praskovya Fyodorovna pressed his hand gratefully. Going into her drawing-room, that was upholstered with pink cretonne and lighted by a dismal-looking lamp, they sat down at the table, she on a sofa and Pyotr Ivanovitch on a low ottoman with deranged springs which yielded spasmodically under his weight. Praskovya Fyodorovna was about to warn him to sit on another seat, but felt such a recommendation out of keeping with her position, and changed her mind. Sitting down on the ottoman, Pyotr Ivanovitch remembered how Ivan Ilyitch had arranged this drawing-room, and had consulted him about this very pink cretonne with green leaves. Seating herself on the sofa, and pushing by the table (the whole drawing-room was crowded with furniture and things), the widow caught the lace of her black fichu in the carving of the table. Pyotr Ivanovitch got up to disentangle it for her; and the ottoman, freed from his weight, began bobbing up spasmodically under him. The widow began unhooking her lace herself, and Pyotr Ivanovitch again sat down, suppressing the mutinous ottoman springs under him. But the widow could not quite free herself, and Pyotr Ivanovitch rose again, and again the ottoman became mutinous and popped up with a positive snap.