and never stopped for a minute except occasionally to wipe, with a very wet cambric handkerchief, the perspiration from his weary but pleased face. The Count eclipsed them all, and danced with the three principal ladies: the tall one, rich, handsome, and stupid; the middle-sized one, thin and not very pretty, but splendidly dressed; and the little one, plain, but very clever. He danced with others too, with all the pretty ones, and there were many of them. But it was the little widow, Zavalshévsky’s sister, that pleased the Count best. With her he danced a quadrille, an ecossaise, and a mazurka. He began, when they were sitting down during the quadrille, by paying her many compliments and comparing her to Venus and to Diana, and to a rose and to some other flower. But all these compliments only made the widow bend her white neck, cast down her eyes and look at her white muslin dress, or pass her fan from hand to hand. When she said “Don’t, you are only joking, Count,” and other words to that effect, there was a note of such naive simple-mindedness and such funny silliness in her slightly guttural voice that, looking at her, it really seemed that this was not a woman but a flower, and not a rose, but some wild, rosy-white, gorgeous, scentless flower that had grown all alone out of a snowdrift in some very remote land.