Before reaching the elder, who, standing at the little safe, was kneading over the remnants of some tapers into one piece of wax, Iván Petróvich stopped to take a look at the praying woman. The old woman was praying well. She knelt as straight as it was possible to kneel in front of the image; all the members of her body were mathematically symmetrical; her feet behind her pressed with the tips of her bast shoes at the same angle against the stone floor; her body was bent back, to the extent to which her stooping shoulders permitted her to do so; her hands were quite regularly placed below her abdomen; her head was thrown back, and her face, with an expression of bashful commiseration, wrinkled, and with a dim glance, was turned straight toward the image with the scarf. Having remained in an immobile position for a minute or less⁠—evidently a definite space of time⁠—she heaved a deep sigh and, taking her right hand away, swung it above her headgear, touched the crown of her head with folded fingers, and made ample crosses by carrying her hand down again to her abdomen and to her shoulders; then she swayed back and dropped her head on her hands, which were placed evenly on the floor, and again raised herself, and repeated the same.