“Oh, no, no! Pardon me,” replied Albert with a gentle expression of vindication. “The old music is music; but modern music is music too. And in the modern music there are extraordinarily beautiful things. Now, Somnambula , and the finale of Lucia , and Chopin, and Robert ! I often think,”—he hesitated, apparently collecting his thoughts—“that if Beethoven were alive, he would weep tears of joy to hear Somnambula . It’s so beautiful all through. I heard Somnambula first when Viardot and Rubini were here. That was something worth while,” he said, with shining eyes, and making a gesture with both hands, as though he were casting something from his breast. “I’d give a good deal, but it would be impossible, to bring it back.”
“Well, but how do you like the opera nowadays?” asked Delesof.