age, down-look’d, much disfigured with the Small-pox, strait brown hair, black rotten teeth, having an impediment in his speech, in a sad coloured cloth sute, the coat faced with shag, a white hat with a black ribbon on it, went away from his master, &c. &c.
And so on, as per example; the runaways and missing folk—for all that are advertised are not offenders against the law—seem to have exhausted the whole catalogue of human and inhuman ugliness. By turns the attention of the public is directed to a brown fellow with a long nose, or with full staring grey eyes, countenance very ill-favoured, having lost his right eye, voice loud and shrill, teeth black and rotten, with a wide mouth and a hang-dog look, smutty complexion, a dimple in the top of his nose, or a flat wry nose with a star in it, voice low and disturbed, long visage, down look, and almost every other objectionable peculiarity imaginable. What a milk-and-water being our modern rough is, after all!
Dr Johnson, in a bantering paper on the art of advertising, published in the Idler, No. 40, observes: “The man who first took advantage of the general curiosity that was excited by a siege or battle to betray the readers of news into the knowledge of the shop where the best puffs and powder were to be sold, was undoubtedly a man of great sagacity, and profound skill in the nature of man. But when he had once shown the way, it was easy to follow him.” Yet it took a considerable time before the mass of traders could be brought to understand the real use of advertising, even as the great Doctor understood it. Even he could hardly have comprehended advertising as it is now. The first man who