circumstance which, by-the-by, happened once to Shakespeare also), and that it is far preferable to produce the works of authors already known to the public, even if their more recent efforts have proved a failure in more than one respect. It is now for the public of this great country to decide whether this arrangement between Managers of Theatres and a certain small clique of authors is a monopoly that is to go on for ever; or whether it is only a false and preconceived notion on the part of the former regarding the want of good taste for superior productions on the part of the public. Though I am a foreigner I consider myself as one of the public who has endeavoured to amuse his fellow-citizens, but to whom no opportunity has hitherto been afforded. However, as the author of a collection of songs, of which some are written in English, French, and German, or English and German, or simply in English poetry, and which volume is entitled “Honi soit qui mal y pense,” and was collectively dedicated to the Queen, and accepted by her Majesty, containing dedications also, by special commission, to ladies of the highest titles, and to others equally exalted in attainments, I beg you to believe me, when I assure you, on the word of a gentleman, author, and schoolmaster, that the two pieces I have written will meet with your approbation. I appeal now to you, ladies and gentlemen, to assist me in bringing out one of the two pieces; and, in my humble opinion, the most effectual way, perhaps, in which this could be done, would be in addressing me a note, kindly informing me which of the two pieces, “Stern Realities” or “Trust,” should in your opinion be performed first, and that you promise you will come to see either or both. Receiving thus from you a great quantity of letters, I shall, armed with such a
Table of Contents
CHAPTER XI. CURIOUS AND ECCENTRIC ADVERTISEMENTS.
511