in a parry; he knew his arm and its just time of moving, put a firm faith in that, and never let his adversary escape his parry. He was just as much a greater master than any other I ever saw, as he was a greater judge of time and measure.” Of Sutton the enthusiastic captain tells us that “he was a resolute, pushing, awkward swordsman; but by his busy intruding arm, and scrambling legs, there were few judgments but what were disordered and disconcerted. Fig managed him the best of any by his charming distinction of time and measure, in which he far excelled all, and sufficiently proved these two be the sword’s true foundation.” Figg was also a great bruiser, and was regarded as the champion of the boxers as well as the master of the swordsmen. He was a genial good-tempered fellow, and was the boon companion of many eminent authors and artists of his time.
So much for show and play bills, and the celebrities to whom they have introduced us. We will now turn to handbill and poster advertisements of various descriptions. Tickets and bills containing the information that apartments were to be let were set up over doors at least as early as 1665. In the “Pillulæ Pestilentialis” of the Rev. Richard Hingston, preacher, of St James’s, Clerkenwell, there is the following in reference to the Plague and the practice just mentioned:—
At the end of a pamphlet, printed in 1673, entitled “An Essay to revive the Ancient Education of Gentlewomen, in Religion, Manners, and Tongues,” there is a postscript, containing an advertisement of