many years ago, things remain much the same, and such popular entertainers as Fred Maccabe, and patterers as J. L. Toole, could doubtless sell themselves for large sums in the interests of vocal advertising. Managers invariably avail themselves of the opportunity whenever a chance occurs, as it does now and again in realistic drama, and very frequently in pantomime. Actors are, though, not alone the admiration of the advertiser—they are by no means above making a shrewd bid for popularity themselves by means of the papers. It is not so very long ago that a tragedian, more distinguished in the provinces than in London, and anxious to meet that metropolitan recognition which he felt sure he deserved, gave a small récherché banquet to his early friends at a well-known house near Lincoln’s-Inn Fields. Those who were invited must have felt very much like Mr Twemlow used whenever he visited the Veneerings, and those who were in a condition to think when they came away must have felt puzzled to account for the fact that all Mr ——’s early friends had taken to the dramatic-critic, the leader-writer, or the editor line of business—all but one, a kind of literary tradesman, who, however, possibly paid his half for the
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CHAPTER XX. ADVERSARIA.
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