the efigies of our Gracious K. William & Q. Mary, curiously illustrated and engraven in lively figures, done by the performers of the first Popish Plot Cards. Sold by Donnan Newman, the publisher and printer of the New Observator.
This was a popular and rather practical method of celebrating the triumph of the Whigs, and as Bishop Burnet was the editor of the New Observator, and these cards were sold by his publisher, he is very likely to have had a hand in their promotion. About now the traffic in African slaves commenced, and these full-blooded blacks gradually displaced the Moors and Arabs, who had formerly been the prevalent coloured “fancy.” It is supposed that the taste for these dark-skinned servants was derived from the Venetians, whose intercourse with the traders of India and Africa naturally led to their introduction. Moors are constantly being associated with the sea-girt Republic, both in literature and art, Shakespeare’s “Moor of Venice” being somewhat of an instance in point; while Titian and other painters of his school were