WALES No. 26, Cheapside, and No. 13, Haymarket.
| Authors. | £. | s. | d. | |
|---|---|---|---|---|
| J. Haydn. | T HREE SYMPHONIES for a grand Orchestra, dedicated to his Royal Highness the Prince of Wales. Op. 5 | 0 | 10 | 6 |
| Ditto. | A set of QUARTETTS for two Violins, Tenor and Violoncello, expressive of the Passion of our Saviour. Op. 48 | 0 | 8 | 0 |
| Mozart. | Two SYMPHONIES for a Grand Orchestra. Op. 5 and 9, each | 0 | 6 | 0 |
| Ditto. | Six QUARTETTS, dedicated to Mr. Haydn. Op. 1 | 0 | 15 | 0 |
| Ditto. | QUARTETT for the Harpsichord | 0 | 3 | 0 |
| Storace. | CARE DONNE CHE BRAMATE, sung by Signora Storace in Il Re Theodore in Venezia | 0 | 2 | 6 |
| Pleyel. | Two SONATAS for the Harpsichord, with an accompaniment for a Violin. Op. 7 | 0 | 4 | 0 |
| Ditto. | TRIOS for a Violin, Tenor, and Violoncello. Op. 11 | 0 | 6 | 0 |
| Gìordano. | Three GRAND DUETS for the Harpsichord, from the works of Haydn | 0 | 7 | 6 |
| Chalon. | THREE DUETS for the Harpsichord. Op. 7 | 0 | 7 | 6 |
| Barthelemon. | COMPLETE INSTRUCTIONS for the Pedal Harp, with Airs, Arpegias, and Sonatas, and an easy method for tuning | 0 | 10 | 6 |
| Percy. | Six ITALIAN ARIETTAS in the Venetian style, for the voice and Piano Forte. Op. 5 | 0 | 5 | 0 |
| Starkel. | Three SONATAS for the Harpsichord, with Accompaniments. Op. 22 | 0 | 7 | 6 |