CHAPTER II. INTRODUCTORY—STREET AND GENERAL ADVERTISING.

At a perfumer’s shop in the street of Mercury were represented various items of that profession, notably four men carrying a box with vases of perfume, and men laying out and perfuming a corpse. There was also a sign of the Two Gladiators, under which, in the usual Pompeian cacography, was the following:—“Abiam venerem Pompeiianama iradam qui hoc læserit.” Besides these were the signs of the Anchor, the Ship (possibly a ship-chandler’s), a sort of a Cross, the Chequers, the Phallus on a baker’s shop, with the words, “Hic habitat felicitas;” whilst in Herculaneum there was a very cleverly painted Amorino, or Cupid, carrying a pair of lady’s shoes, one on his head and the other in his hand. It is also probable that the various artificers of Rome used their tools as signs over their workshops and residences, as it is found that they were sculptured on their tombs in the catacombs. On the tombstone of Diogenes, the grave-digger, there is a pickaxe and a lamp; Banto and Maxima have the tools of carpenters, a saw, an adze, and a chisel; Veneria, a tire-woman, has a mirror and a comb. There are others with wool-combers’ implements; a physician has a cupping-glass; a poulterer, a case of fowls; a surveyor, a measuring rule; a baker, a bushel measure, a millstone, and some ears of corn; and other signs are numerous on the graves of the departed. Even the modern custom of punning on the name, so common on signboards, finds its precedent on these stones. The grave of Dracontius was embellished with a dragon, that of Onager with a wild ass, and that of Umbricius with a shady tree. Leo’s grave received a lion; Doleus, father and son, two casks; Herbacia, two baskets of herbs; and Porcula, a pig. It requires, therefore, but the least possible imagination to see that all these symbols and advertisements were by no means confined to the use of the dead, but were extensively used in the interests of the living.