éxito es un «bombazo» ( knockout ). En conjunto, todo ello es «el mundo del espectáculo» ( the show business ). Este es el efecto del control judío sobre cualquier profesión, tal como cualquier abogado estadounidense les dirá.
La única protesta que se ofrece ahora proviene de los pequeños clubes dramáticos que, lo sepan o no, son la influencia «antisemita» más fuerte en el horizonte teatral.
Edición del 22 de enero de 1921.
El aspecto judío de la «película»
Problem rPHERE
was once a man named Anthony Com- stock who was the enemy of public lewdness. Of course he was never popular. No newspaper ever spoke of him without a jeer. He became the stock joke of his time—and it was not very long ago. He died in 1915.
It is very noticeable that the men who mocked his life with banal jesting were non-Jews. It is also worth recording that the men who profited from the commercializing of much of the vice which he fought, were Jews. It was a very familiar triangle —the morally indignant non-Jew fighting against public lechery, and the Jewish instigators of it hiding behind ribald Gentiles and Gentile newspapers.
Well, the fight is still going on. If you will sub¬ scribe to a clipping bureau, or if you will look over the press of the country, you will see that the problem of the immoral show has been neither settled nor silenced. In every part of the country it is intensely alive just now. In almost every state there are movie censor¬ ship bills pending, with the old “wet” and gambling elements against them, and the awakened part of the decent population